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Safran at the Paris Air Show 2011
Close up of the electric environmentally-friendly taxiing system (white unit seen in this photo). At the Paris air show, Safran signed a cooperation agreement with the American company Honeywell to develop a new electric environmentally-friendly taxiing system. During taxiing phases at airports, aircraft fitted with this system will be able to move around using these electric motors installed directly on the landing gear, without needing the jet engines. 

© Eric ForterreOn the last day of the Show, under perfectly blue sky, the Solar Impulse — a unique aeroplane able to draw all its energy from sunlight — meets the ideal conditions for its first flight at the Paris air show. The audience holds its breath as it watches the light plane gliding noiselessly over the tracks, where usually the engine blare of fighter aircraft roars. Moved to a moment of pure contemplation, today’s visitors are well aware they are being witness to a historical event. 

© Eric ForterreThe A380 once again astounded. All people, big and small, are won over by the giant of the sky. © Eric DrouinThe Fouga Magister, which has for decades served as a French Air Force training plane, requires flawless maneuvering. In the hands of a good pilot, a plane becomes an extension of the body, and then any stunt is possible. © Eric ForterreThese smiles are not just those of air hostesses from the Air Asia airline. They represent the smile of an entire profession following the announcement of the largest firm order in the history of aviation. Air Asia has chosen CFM International's LEAP engine to power 200 Airbus A320neo aircraft, to be delivered as of 2016. CFM International is a partnership between Safran and GE. 

© Eric DrouinA trail of smoke and a plane flying off into the sky. It looks so simple, yet so beautiful. © Eric ForterreThe Patrouille de France stuns with its ever-inventive choreography and peerless orchestration. The audience isn’t let down: you can feel their enthusiasm. © Antoine Denoix See all the pictures
Sunday 26, 17:30
Sunday 26, 15:11
Sunday 26, 10:45
Saturday 25, 17:39
Saturday 25, 16:03
Saturday 25, 11:39
Saturday 25, 10:46
Capturing the Spirit of the Paris air show
Friday 10 June, 16:36
At first glance it is easy to understand why Dutch artist Eelco Van Den Berg was selected to design the official 2011 Paris air show poster. His use of bright colors combined with a distinctive artistic style – a blend of graphic illustrations and street art – creatively depicts the relationship between the technical aspects and the human elements that work together to make the air show such a memorable event.
© International Paris Air Show 2011
© International Paris Air Show 2011

The creation of an official poster is a tradition that dates back to the first Paris air show, held in 1909 in the Grand Palais in the heart of the French capital. This year, Mr. Van Den Berg was one of the artists invited to present a design concept for the official poster. “I was contacted by the selection committee who had seen my work online, and was given one week to work on a design for the poster,” Mr. Van Den Berg explained. “The selection committee gave me quite a bit of freedom, insisting only that the design should not be focused on a specific type of aircraft, and that people – visitors to the air show – should also be central to the design. They liked what I created, and that’s how I was chosen.”

While Mr. Van Den Berg’s professional portfolio includes an array of advertising campaigns, music CD covers, magazine illustrations and large-scale wall murals, this project marks his first time creating artwork for the aviation industry. “I spent a lot of time researching images of airplanes and helicopters on the Internet and making sketches and taking notes in order to understand what shapes make-up an airplane and what makes a helicopter a helicopter,” said Mr. Van Den Berg. “Then I had the idea to add the little girl who looks to be dreaming – all the action in the poster seems to be happening in her hair.” While aerospace has been a traditionally male-dominated industry, more women are joining the ranks, making Mr. Van Den Berg’s decision to include a young girl, one of two human figures in the poster, an appropriate allusion to the industry’s future.

The human aspect in the forefront
Mr. Van Den Berg’s brightly colored collage of aircraft parts – notably landing gear, an airplane wing and engines – is a nod to the fact that the air show is indeed one of the aviation industry’s most important events. It brings together thousands of customers, suppliers and industry VIPs, and provides a platform to display the newest developments in technology and innovation. The human aspect of the air show, however, is clearly in the forefront – both of the poster, and of the real world. Human’s ability to dream and the ingenuity to turn those dreams into reality is no more apparent than in the history of aviation.

The magic of flight, the seemingly limitless boundaries of sky and the unknown frontier of space – these are the things that dreams are made of. The sense of awe and excitement reflected in the upturned faces of spectators admiring a daring stunt or graceful maneuver taking place high overhead – this is the allure and power of the air show. Mr. Van Den Berg has effectively captured these emotions in his dynamic image – inspiring those who see it to plan a visit to the air show in order to experience it for themselves.

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